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Samuel Barber

His Life and Legacy

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2 of 2 copies available
2 of 2 copies available
A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber's works have since become standard concert repertoire and continue to flourish across high art and popular culture.

Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber's life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber's path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music's commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber's encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer's decades-long relationship with the renowned opera composer Gian Carlo Menotti.

Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.

|Introduction
  • Samuel Barber and His Family
  • A Musical Education
  • Personal Matters: Early Years
  • Other Formative Experiences
  • Early Works Through 1932
  • More Adventures at Home and Abroad, 1933-1939
  • Music for a Scene from Shelley and One Day of Spring
  • Songs and Choruses, 1934-1940
  • The First Symphony and the String Quartet
  • Adagio for Strings and the First Essay
  • The Violin Concerto and Second Essay
  • In the Army
  • The Second Symphony and Excursions
  • Capricorn Concerto and the Cello Concerto
  • Barber and His Contemporaries
  • Medea
  • Knoxville: Summer of 1915 and "Nuvoletta"
  • The Piano Sonata and Mélodies passagères
  • Personal Matters: Later Years
  • A Composer's Life
  • Souvenirs and Hermit Songs
  • Prayers of Kierkegaard, Adventure, and Summer Music
  • Vanessa
  • From the Nocturne to Die Natali
  • The Piano Concerto and Andromache's Farewell
  • The Creation of Antony and Cleopatra
  • Antony and Cleopatra in Performance
  • From Chorale for Ascension Day to The Lovers
  • From Fadograph of a Yestern Scene to the Canzonetta
  • Epilogue and Conclusion

    Notes

    Index

    |"Howard Pollack's 'Samuel Barber: His Life and Legacy,' which continues his remarkable series of books on American composers and lyricists, may be the finest biography of an American classical musician since Anthony Tommasini's 'Virgil Thomson: Composer on the Aisle.'. . . Pollack is a master of writing about artistic creation without forbidding jargon, his explanations of Barber's music are just as arresting as the biographical passages." —Wall Street Journal
    "Will surely be the authoritative work on talented composer Barber for decades to come. This monumental book is both the account of a fascinating life and a detailed assessment of the composer's...
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      • Library Journal

        Starred review from March 1, 2023

        Barber (1910-81) wrote his first composition, a 23-measure piano piece, in 1916. He was six. When he was 10, he composed an operetta to a libretto by the family cook. Barber met Gian Carlo Menotti, the distinguished opera composer, at the Curtis Institute of Music in Philadelphia when he was 18 and Menotti 17; they remained friends and soulmates for years until Barber's death. By the time Barber died in 1981, he'd won a Grammy and two Pulitzer Prizes. For 40 years, musicologist Pollack (Univ. of Houston; The Ballad of John Latouche) has documented the careers of distinguished American composers, including Marc Blitzstein, Aaron Copland, and George Gershwin. He brings that knowledge to this sumptuously illustrated biography, which will surely be the authoritative work on talented composer Barber for decades to come. This monumental book is both the account of a fascinating life and a detailed assessment of the composer's works. The chapters on Barber's controversial opera Antony and Cleopatra are fascinating. VERDICT Barber knew everybody in his milieu, and this book reflects that. Scholars will devour this exceptional study, but any music lover will benefit from reading it.--David Keymer

        Copyright 2023 Library Journal, LLC Used with permission.

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