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Dinner on Monster Island

Essays

Audiobook
1 of 1 copy available
1 of 1 copy available

In this unusual, engaging, and intimate collection of personal essays, Lambda Literary Award finalist Tania De Rozario recalls growing up as a queer, brown, fat girl in Singapore, blending memoir with elements of history, pop culture, horror films, and current events to explore the nature of monsters and what it means to be different.

Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to "banish the evil" from Tania. That day, the young girl realized that monsters weren't just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you.

Dinner on Monster Island is Tania's memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic. As she pulls back the veil on life on the small island, she reveals the sometimes kind, sometimes monstrous side of all of us. Intertwined with her experiences is an analysis of the role of women in horror. Tania looks at films and popular culture such as Carrie, The Witch, and The Ring to illuminate the ways in which women are often portrayed as monsters, and how in real life, monsters are not what we think.

Moving and lyrical, written with earnest candor, and leavened with moments of humor and optimism, Dinner on Monster Island is a deeply personal examination of one woman's experience grappling with her identity and a fantastic analysis of monsters, monstrous women and the worlds in which they live.

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    • Publisher's Weekly

      Starred review from December 11, 2023
      In this poignant memoir-in-essays, De Rozario (And the Walls Come Crumbling Down) intertwines stories about growing up queer and brown in Singapore with her analysis of her favorite horror films. “It took me years to realize that perhaps the reason I love horror is the fact that when I was twelve years old, I was subjected to it,” she writes, recounting how her mother, who viewed De Rozario’s boyish behavior as deviant, enlisted church friends to “gay-exorcise” her daughter. The author endured 7 hours of rough treatment in a religious ceremony purportedly meant to free her from the devil. Later on, De Rozario saw herself in The Exorcist’s demon-filled protagonist and the title character of Carrie; she especially related to Sadako, the spectral protagonist of Japanese horror film Ringu, whom De Rozario interprets as an avatar of feminist justice (“women refusing to die”). Throughout, De Rozario weaves these pop culture ruminations into reflections on her youth in Singapore, a prosperous but highly economically stratified island where the government micromanages the lives of its citizens—including their bodies, De Rozario notes. In addition to suppressing her queer identity, De Rozario describes how this body-centered surveillance stifled her in other ways (as an overweight kid, she endured the government’s strenuous weight loss program). De Rozario transfixes with her idiosyncratic blend of film criticism, social critique, and autobiography. It’s a unique and touching account. (Feb.)Correction: An earlier version of this review misspelled the name of a character in Ringu and misstated the length of the religious ceremony the author underwent.

    • AudioFile Magazine
      Tania De Rozario performs her essay collection, which revolves around her experience growing up as a fat mixed-race queer girl in Singapore. When she was a child, school administrators required her to eat smaller meals and exercise more. After her mother learned of De Rozario's sexuality, she called church leaders to exorcise her. De Rozario narrates each of her essays with emotional depth and understanding, giving grace to her past self while simultaneously acknowledging the growth she has experienced over time. Her voice quivers in sorrow and rises in strength, but it always speaks to her truth. With this audiobook, De Rozario gives listeners a gem of queer literature. K.D.W. © AudioFile 2024, Portland, Maine

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