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King

The Complete Edition: A Comics Biography of Martin Luther King, Jr.

ebook
1 of 1 copy available
1 of 1 copy available

A landmark graphic novel about the civil rights leader, complete in one volume.

This groundbreaking body of comics journalism collects Anderson's entire biography of the renowned civil rights leader Rev. Martin Luther King, Jr. Over a decade in the making, the saga has been praised for its vivid recreation of one of the most tumultuous periods in U.S. history and for its accuracy in depicting the personal and public lives of King, from his birth to his assassination. King probes the life story of one of America's greatest public figures with an unflinchingly critical eye, casting King as an ambitious, dichotomous figure deserving of his place in history but not above moral sacrifice to get there. Anderson's expressionistic visual style is wrought with dramatic energy; panels evoke a painterly attention to detail but juxtapose with one another in such a way as to propel King's story with cinematic momentum. Anderson's successful use of the graphic novel to tell a major work of nonfiction has drawn favorable comparisons to Art Spiegelman's Maus: A Survivor's Tale, Joe Sacco's Palestine, and Osamu Tezuka's Adolph.

King not only recreates the major events in King's public life, but chronicles the daily, rough-and-tumble, behind-the-scenes political maneuverings and strategic compromises that were required to mobilize millions of people toward a common goal. His internal debates with Ralph Abernathy and Jesse Jackson and his hardball negotiations with John F. Kennedy and Lyndon Johnson are dramatized. Anderson's achievement is not merely a political biography filled with names and dates, but a fully rounded portrait of a fallible human engaged in a superhuman effort his fears, his doubts, his relationship with his wife Coretta King, and his children are compassionately and truthfully rendered.

Anderson's visual approach includes the use of photographs, realistic portraiture, and expressionistic imagery alternating between stark black and white chiaroscuro and painterly full color. The dialogue is unflinchingly naturalistic and accurately reflects the moral urgency and labyrinthine political and practical complexities that King was navigating, from his deeply felt, personal commitment to a public cause to the wider political eruptions the country was experiencing. This is a respectful, unsparing, truthful biography of a man and his times that captures the moral and political gravitas of the cause as well as its human dimension. A major work of comics, depicting a major work of history.

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  • Reviews

    • Publisher's Weekly

      Starred review from February 14, 2005
      Over 10 years in the making, Anderson's biographical graphic novel has the weight and depth of a lifetime of research. The book is a compelling and often moving narrative of the life of Martin Luther King Jr. Anderson follows King from boyhood through college and into the stormy Civil Rights movement. But while the broad narrative of King's life may be familiar, this is hardly a Classic Comics approach to the man. In order to capture the complexity of King's life and times, Anderson employs a uniquely multifaceted and multilayered graphic and narrative technique that falls somewhere between cartooning, painting, collage and documentary photography. It is deeply effective. At times, King's life is a straightforward narrative, but then a Greek chorus of voices will interrupt to comment on the action and offer different versions of events. At other crucial moments, the pages erupt into color abstractions or expressionist renderings. Anchoring all this dazzling technique is Anderson's acute ear for dialogue and profound understanding of his subject. In the simplest scenes of King and his colleagues in discussion—in a car, a bar or a living room—Anderson brings readers into the space and makes history palpable. Through a varied graphic arsenal and subtle prose, Anderson's King comes alive.

    • Publisher's Weekly

      Starred review from May 13, 2002
      It's been nearly 10 years since the enormously talented Anderson published the first of a projected three-volume interpretive (and often speculative) comics biography of Martin Luther King Jr., but the second volume is well worth the wait. Anderson picks up where he left off. It's 1958, and King awakes in Harlem Hospital after being stabbed by a deranged black woman. Anderson quickly delves into the contentious debates between the elder SCLC organizers and the impatient young SNCC activists. In graphically expressionistic b&w vignettes, Anderson offers a powerful recreation of the Civil Rights movement's seminal events and King's role in them. From 1961's interracial bus rides to the 1963 march on Birmingham and King's now-legendary speech at the Lincoln Memorial, each historic moment is captured through Anderson's terse, confrontational dialogue—constructed to both identify the incident and capture its emotional toll—and his brittle graphic virtuosity. He's dramatized the Civil Rights movement though its failings and factional disputes as much as through its mythlike social triumphs. He presents JFK's as well as ordinary black people's reservations about King and uses King's personal failings—his womanizing and domestic conflicts with Coretta—to provide a study of a magnificent social movement through a candid portrait of its greatest symbolic figure. As in volume one, Anderson combines illustrations and photocopy collage in a rugged chiaroscuro comics style. Without quite achieving the visual brilliance of the first volume, in which every panel seemed designed to graphic and narrative perfection, Anderson's illustrational powers remain eye-poppingly formidable in this new work.

    • School Library Journal

      September 1, 2005
      Gr 10 Up -This collection brings together Anderson's highly ambitious, three-issue series covering the life of Dr. Martin Luther King, Jr., from his early days in college through the Civil Rights movement to his assassination. The fairly chronological flow of the story line is occasionally interrupted by brief soliloquies by friends, colleagues, and enemies. This technique offers a wide variety of perspectives on this American icon and the events surrounding him. King is shown as driven and charismatic, loving the spotlight, enjoying alcohol, having a tendency to cheat on his wife when he's on the road, and having private moments with his family. One of the most powerful of those moments comes when King explains to his children that he can't take them to a theme park because of the color of their skin. While Anderson has a gift for creating dialogue and narrative, he also knows when to let an image speak for itself. The artwork is a visual feast, mixing realistic drawings with expressionistic paintings and photo-collage. Although primarily black and white throughout, a few dashes of color explode on pages that focus on particularly emotional times. With its complex, compelling storytelling and vivid illustrations, "King" brings one of the greatest figures in our history to life, if only for a short while." -Matthew L. Moffett, Northern Virginia Community College, Annandale"

      Copyright 2005 School Library Journal, LLC Used with permission.

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  • English

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