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Special Circumstances

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
Novelist and lawyer Sheldon Siegel exposes the ruthless world of law practice in this electrifying courtroom drama. Crackling with energy and suspense, Special Circumstances places you in the center of an explosive murder trial where politics and greed clash with truth and justice. Fired by Simpson & Gates, one of San Francisco's most prestigious law firms, lawyer Mike Dailey quietly opens his own practice on the wrong side of town. He takes on his first client when police arrest his best friend, a partner at Simpson & Gates, for a brutal double murder. As Mike frantically digs for evidence, he discovers the firm has a lot to hide-and his friend conceals a dirty secret, too. In this brilliantly paced, sharp-witted thriller, Sheldon Siegel reveals both the pitfalls and safeguards in our criminal justice system. Frank Muller's dramatic pacing keeps you on the edge of your chair from the intriguing first chapter to the stunning conclusion.
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    • AudioFile Magazine
      Incest is the motive for murder in this tense courtroom drama. Reader Dukes delivers an amazing, believable performance as his best friend and former colleague's defender. He quickly changes voices, from male to female, youth to elderly, utilizing Jewish accents and hushed, broken-hearted tones. He portrays the prosecutor with a scholarly voice and sepulchral tones. The story line, filled with intrigue and deceit, is portrayed with witty suspense. A must-hear for courtroom drama aficionados. G.D.W. (c) AudioFile 2000, Portland, Maine
    • Publisher's Weekly

      January 31, 2000
      San Francisco attorney Siegel's debut pits a likable lead against a giant law firm run by villains and fools; the result is a well-made courtroom page-turner, skillful and taut right up through the surprise ending. Siegel's hero and narrator is the competent, low-key Mike Daley, former priest and onetime public defender, now a 45-year-old partner at San Francisco's glossy Simpson and Gates. Daley hasn't brought enough business to the criminal department, and the senior partners have asked that he resign. Also leaving the firm is Prentice Marshall "Skipper" Gates III, son of the firm's founding partner: Skipper has just been elected district attorney. "My partners are thrilled," says Daley of Skipper's departure. "They have never complained about his arrogance, sloppy work and condescending attitude.... What they can live without is his $400,000 draw..." On New Year's Eve at Simpson and Gates, Daley is packing up his office, Skipper is enjoying a glitzy farewell party and other lawyers are working to close a lucrative property deal. But when the deal falls apart, two of those lawyers--a slimy master litigator and an ambitious young female partner--are found shot to death. At first it seems to be a murder-suicide brought on by greed, sex and depression. Then one of Daley's few friends at the firm, the son of a prominent rabbi, is charged with the murders. Daley and Skipper clash in a high-profile court case with echoes of several recent real-life media circuses. If the trial itself takes up too many pages, Siegel redeems himself elsewhere by focusing on the flawed, often-desperate Daley: Siegel humanizes his hero by depicting Daley's charged, still-sexual relationship with his ex-wife, a tough lawyer who retains custody of their six-year-old daughter. With a winning protagonist and a gripping plot, Siegel's debut is sure to make partner at its first-choice firm: the expanding empire of Turow, Grisham, Lescroart, Wilhelm, Margolin and Baldacci.

    • AudioFile Magazine
      After attorney Michael Dailey is fired from San Francisco's Simpson & Gates law firm, two of the firm's partners are found dead from bullet wounds, and Dailey's best friend is arrested for the killings. Dailey goes after the truth, revealing the firm's darkest secrets in the process. Frank Muller's reading is tight, and his emotional interpretation is right on target. Muller's special challenge is reading the hero's inner thoughts, which run alongside the action and dialogue. Muller shifts his voice slightly, effectively italicizing Dailey's internal monologue. In all, this is an excellent reading of an equally fine first novel. S.E.S. (c) AudioFile 2001, Portland, Maine

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