When the Moon Was Ours

October 17, 2016
As she did in The Weight of Feathers, McElmore blends magical elements with a culturally vibrant cast to create a haunting modern fairy tale. At its heart are two best friends turned lovers: Miel, a girl rumored to be born of a water tower who grows roses from her forearms, and Sam who, in keeping with the Pakistani tradition of bacha posh, has been raised as a boy, and now has no interest in living as anything but. Magic, myth, and legend are woven into the fabric of their town, and Miel and Sam’s relationship is complicated when the four Bonner sisters, who are rumored to be witches, come to believe that Miel’s roses will help restore their influence over the town’s boys. Lush, reverential language remains a hallmark of McElmore’s work, and while the story’s momentum can suffer as a result, readers interested in gender identity and the pull of family and history will find this to be an engrossing exploration of these and other powerful themes. Ages 12–up. Agent: Taylor Martindale Kean, Full Circle Literary.

McLemore (The Weight of Feathers, 2015) mesmerizes once again with a lush narrative set at the thresholds of identity, family, and devotion.No one thinks twice about the friendship between Miel, the Latina teen who fears pumpkins and grows roses from her wrist, and Samir, the Italian-Pakistani boy who hangs his painted moons all around town and brought Miel home when she appeared from inside a water tower as a child. They are linked by their strangeness and bound to each other by their secrets--those that transgender Sam shares about his body and his name and those that Miel keeps about her family and her past. But just as the pair's bond expands to passion, the Bonner girls, who are rumored to have the power to make anyone fall in love with them, decide that Miel's roses are the only thing that will repair their weakening influence over others, and the four white sisters will leverage every secret that haunts Miel and that could destroy Sam to get what they want. Luxurious language infused with Spanish phrases, Latin lunar geography, and Pakistani traditions is so rich it lingers on the tongue, and the presence of magic is effortlessly woven into a web of prose that languidly unfolds to reveal the complexities of gender, culture, family, and self. Readers will be ensnared in this ethereal narrative long before they even realize the net has been cast. (Magical realism. 13-17) COPYRIGHT(1) Kirkus Reviews, ALL RIGHTS RESERVED.

Starred review from August 1, 2016

Gr 9 Up-Love bests every opponent in this surreal exploration of familial bonds and sexual identity. Teens Sam and Miel have been best friends for years, ever since Miel appeared, sodden and terrified, amid the flooded ground around an overturned water tower. As their friendship unfolds into romance, long-repressed secrets and rumors clamor for air. Sam is reticent and obsessed with painting moons on paper and metal. Miel and her guardian, Aracely, are thought to be witches-Miel because roses grow beautifully and painfully out of her wrist one at a time, and Aracely because she cures lovelorn townspeople with potions she creates. Until recently, the four haughty, gorgeous Bonner sisters held mysterious sway over the hearts of the town's young men. Now that their power has gone, they believe Miel's roses are the fix they need, and they have no scruples about using physical cruelty or blackmail to get what they want. Amid the ordinariness of the small-town setting, McLemore winds arabesques of magical realism. This imbues the narrative with the feel of a centuries-old fairy tale, while the theme of sexual identity gives it the utmost relevance. Some teens might be put off by the frequent descriptions of egg and pumpkin varieties and their associated shapes, colors, and uses. VERDICT Readers who stick with this novel will be rewarded with a love story that is as endearingly old-fashioned as it is modern and as fantastical as it is real.-Jennifer Prince, Buncombe County Public Libraries, NC

Copyright 2016 School Library Journal, LLC Used with permission.

Starred review from September 15, 2016
Grades 9-12 *Starred Review* Sam and Miel have always been inseparable. Pakistani Samir and his mother moved to town first, painting ornamental moons and carrying secrets, but Miel appeared out of the water tower, with roses growing out of her wrists. As they grow, their friendship deepens into something more; after all, it's Miel who's the keeper of Sam's secret, who realizes he used to be different, and who understands why he is drawn to bacha posh, a Pakistani practice where families without sons allow a daughter to live as a boy. But Sam and Miel have caught the eye of the four Bonner sisters, whom people say are witches, and Miel knows their attention could destroy everything. This is a careful, close look not only at gender identity but at what it is to possess a bodyfor Sam, of course, but also for Miel (whose roses are viewed with suspicion) and for the almost mythical, red-haired Bonner girls as well. Love, family history, and things unsaid are forces to be reckoned with: Miel's guardian cures lovesickness, and people believe Miel's roses cast a love spell. With luminous prose infused with Latino folklore and magical realism, this mixes fairy-tale ingredients with the elegance of a love story, with all of it rooted in a deeply real sense of humanity. Lovely, necessary, and true.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

January 1, 2017
In an unnamed town in what could be the American Southwest or Latin America, seven young adults stand out from the vanilla residents. Each has a secret, but each also has knowledge about someone else's. This work of magical realism provides a thoughtful examination of gender, guilt, fear, and forgiveness, weaving together cultural traditions from Pakistan, Latin America, and the U.S. in unexpected ways.

(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)

November 1, 2016
If Jeffrey Eugenides's characters were to walk out of his books and into Laura Esquivel's, you might get When the Moon Was Ours, the trappings of which add more verisimilitude than found in your average work of magical realism. In an unnamed town that could be in the American Southwest or somewhere in Latin America, seven young adults stand out from the otherwise vanilla, ordinary-seeming residents: Sam (short for Samir), a boy who is different because he is Pakistani; Miel, who scares people because roses grow out of her wrist; Aracely, a curandera who is loved when she helps townspeople get over heartbreak but reviled as a witch when they don't need her; and the four Bonner sisters, or las gringas bonitas, who have a strange hold over any boy in town they wish to possessexcept Sam. Everyone has a secret, but each also has knowledge about someone else's. For example, Miel keeps Sam's secret: that Sam is in fact female and lives as a boy because of bacha posh, in which families without sons choose one daughter to present as a boy until adulthood in order to ensure social advantages and safety of the rest of the family. Not a casual, quick read (and more dense and convoluted in places than readers may have patience for), the book nevertheless provides a careful, thoughtful examination of gender, guilt, fear, and forgiveness, weaving together cultural traditions from Pakistan, Latin America, and the United States in unexpected ways. sarah hannah gomez

(Copyright 2016 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from August 1, 2016
McLemore (The Weight of Feathers, 2015) mesmerizes once again with a lush narrative set at the thresholds of identity, family, and devotion.No one thinks twice about the friendship between Miel, the Latina teen who fears pumpkins and grows roses from her wrist, and Samir, the Italian-Pakistani boy who hangs his painted moons all around town and brought Miel home when she appeared from inside a water tower as a child. They are linked by their strangeness and bound to each other by their secretsthose that transgender Sam shares about his body and his name and those that Miel keeps about her family and her past. But just as the pairs bond expands to passion, the Bonner girls, who are rumored to have the power to make anyone fall in love with them, decide that Miels roses are the only thing that will repair their weakening influence over others, and the four white sisters will leverage every secret that haunts Miel and that could destroy Sam to get what they want. Luxurious language infused with Spanish phrases, Latin lunar geography, and Pakistani traditions is so rich it lingers on the tongue, and the presence of magic is effortlessly woven into a web of prose that languidly unfolds to reveal the complexities of gender, culture, family, and self. Readers will be ensnared in this ethereal narrative long before they even realize the net has been cast. (Magical realism. 13-17)

COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.